男神吴彦祖又来盖房子啦舟山云海苑 95订制房

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因为有两个很“结实”的老房子，设计过程是室内设计开始到室内设计结束，在仅仅三，五天的设计时间内来考虑建筑，室内，景观……各个空间设计的均衡，在建造时间仅有40几天的工期内（实效工期31天），如何达到符合拍摄要求还能够经营使用，在这个仅有几百人、各种生活生产物料依赖大陆的海岛上，选择适宜的建造方式，这是设计师考虑的重点。

Everything for these two “solid” houses both begins and ends with interior design. Between a span of three to five days, there needs to be a balanced consideration given to the local architecture, interior structures, landscape, and other spaces. Construction will only last 40 days (really 31 days), so how on Earth can everything be set up for filming in a way that would not affect local business? There are only a few hundred inhabitants on the island, with all living and manufacturing supplies coming in from the mainland. An architect faced with such a task would really have to take all these key aspects into account when finding the most appropriate course of action.

▼面朝大海的混凝土体量，the concrete structure facing the sea

▼临海立面，facade

▼站在菜地看房子，the building seen from the vegetable field

场地条件高低错落，海景风光如画，设计的想法一直再围绕着如何把海景引入室内，一直关心着房子里的人如何多角度的“看景”，对于房子长成啥样儿，反倒是不太关心，新设计加入的房子，位于低处老房子的东面，场地里仅有的一块儿可以用的地方，面向大海，正好弥补原来两个老房子进身开间尺寸都太小，不适合当代的社交空间尺度的硬伤，新房子用了钢筋混凝土为主要的结构，结构与空间完整统一，没有过多装饰，用混凝土作为构造与装饰，主要也是为了抵御海洋的极端气候所带来的侵蚀。

With the highs and lows of the terrain and picturesque views of the sea, the design focus here would have to be more on how to capture multi-angled views from inside the house looking out rather than merely how the house itself looks like. The house incorporated into the new design can be found on the eastern side of the collection of old houses lowest in altitude, where the only available patch of land facing the sea can be found, and it serves as a precise remediation of the lack of adequate depth and width the old houses have to carry out modern social gatherings. The new house is built with reinforced concrete and has a perfect match in terms of both structure and space while still remaining free of excessive decoration. Concrete was specifically chosen here to help the house withstand erosion stemming from the harsh sea climate.

▼傍晚的房子，the house in the evening

所以整个建筑是由两个老房子设计成的卧室，加上一个没有了屋顶，后来添加玻璃顶的老厨房改造成工作室。还有面朝大海新建的钢筋混凝土“盒子”组成，上下两个庭院，上坡主人房与下坡两间客房分开，以新建“盒子”的空间为纽带，作为共同的社交居家空间。

The entire structure is composed of bedrooms renovated from the two old houses plus a studio converted from an old kitchen with collapsed roof that is now replaced by a glass ceiling. There is also a newly built reinforced concrete “box” facing the sea connecting two courtyards both on the upper and lower levels, respectively, to accommodate the upstairs master bedroom and two downstairs guest rooms. The new “box” space therefore serves as the common area for social and recreational activities.

▼入口路径，entrance access

▼二层庭院，courtyard on the upper level

▼从下坡看向房子，the house seen from the slope

场地中“新盒子”是低调的，退后的，面对老房子近70年历史的“岁月积淀之美”，面对绝佳的自然景观，新添加的任何元素都显得多余与无力，所以新建的房子选择了【忘我】，尽量表达出尊重含蓄，并没有很多炫耀的成分，更多体现的是温情与敬意。“新”与“旧”之间相互理解尊重，和谐共处，当下的“审美”与旧日的“遗存”融合共荣。

The “new box” on the site is made to be inconspicuously retrusive. In the presence of the time-honored beauty of 70-year-old houses and the supreme natural landscape, any fresh elements seem unnecessary and charmless. That is why the new structure is meant to compliment and pay respect to the local area instead of gain a significant amount of the spotlight, which essentially underplays the structure’s full potential. Here, there is a balance between the new and old and understanding and harmony, and here, modern-day “aesthetics” and old “remains” thrive in co-existence.

▼从一层庭院看向客房，courtyard on the ground floor

▼从庭院望向风雨廊，the veranda seen from the courtyard

▼带有秋千的风雨廊，the veranda with a swing

整体布局来看，岁月使两个老房子是与原有村庄融合为整体的，新建的盒子在村街当中人的“视点”里是毫不起眼的，甚至可以忽略“它”的介入，从老村街步入进来院落，不觉中才会发现这个全新的空间，把270度海景的“高潮”留在最后空间序列中，当然从海上看过来，那是个全新的面向当下与未来的肌体……

Looking at the overall layout, time has made the two houses part of the old village. To the local villagers, the new box may seem obscure or even negligible. Only when you walk into the courtyard from the old street, will you discover the secrets of this new space. The “climactic” 270° seascape is saved for last when considering spatial sequencing, but when observed from above the sea, the design seems to be a new organism facing both today and tomorrow.

▼风雨廊连接着大海和山景，the veranda provides a link between the sea and the mountain

▼客厅，living space

▼餐厅，dining area

▼夜晚的客厅，night view

参加这个节目，最主要是个建筑改造设计项目，而不是单纯室内空间改造，建筑设计考虑的问题可能要注意公众性问题，场地，环境，人文…室内设计可能很多解决业主本人的事情。盖起来房子还要能够使用，要把建筑，结构，机电，室内，陈设，景观各专业的协调完整，60天的设计与施工周期（舟山项目实际上是40天左右）是个巨大挑战，设计之初就要充分考虑技术，材料，工艺实施落地的可行性及完成度……

This program mainly concerns building renovation and design, not merely the pure alteration of interior space. Consideration should be given to public concerns and incorporate site selection along with the local environment and people, and interior design may also include how best to handle the owner’s personal issues. Completion should mean that structures are usable then and there, with perfect harmony between building, structure, electromechanical components, interior layout and landscape. Finishing everything in terms of design and construction in 60 days (really 40 days with the Zhoushan project) is most certainly a great challenge, and the practicality and degree to which the technological requirements, need for materials, and implementation process can be completed on time should always be a determining factor when deciding upon such a task.

▼从楼梯看向主卧室，the main bedroom seen from the staircase

▼主卧室，bedroom

▼卧室休息区，seating area in the bedroom

▼卧室的宽阔海景视野，the bedroom with a wide sea view

▼浴室，bathroom

我们现在关注的建筑大多为宏大叙事的主题，很多毫不起眼房子与我们的生活息息相关，我们大多数人却又“视而不见”，我们身边的很多公共建筑200米视线的观感还好…但往往20米，2米…的尺度内又粗糙了很多，同时，我们又太过关注“建筑”本身的“好看”与否，忽略建筑所深处的环境，可能需要我们的房子要单纯，低调，含蓄，可能不需要那么的“英雄”…如果一个电视节目通过娱乐的方式传递给公众…使之关注到环境与建筑的关系，关心我们身处的人居环境，关注建筑美学给人们带来的空间愉悦与场所精神，“娱乐化”也没什么不好！

Today, most of our concerns are often placed upon grand narrative-themed buildings, and we usually turn a blind eye to many homes that are humble but still relevant to daily life. A great number of public buildings may seem appealing at a distance of around 200 meters or so, but up close at 20 or even 2 meters, they become significantly less refined. We pay too much attention to how good a building looks on the outside while ignoring what lies inside. Perhaps we need our houses to be pure, low-key, reserved and less “noble”, and if a TV program can entertain the public and still convey a notion that makes people more aware of the vital relationship between environment and human-made structures, encouraging them to care about our own living environment and maximize their own spatial delight and spirit made possible by architectural aesthetics, then what harm is there in making such a process entertaining?!

▼上下建筑连接处，circulation

▼屋顶平台，roof deck

▼航拍夜景，aerial view

▼场地平面图，site plan

▼首层平面图，ground floor plan

▼二层平面图，first floor plan

▼东立面图，east elevation

▼其他立面图，elevations

▼剖面图，section

建设单位：北京聚思传媒广告有限公司
设计单位：空间进化（北京）建筑设计有限公司
设计顾问：吴彦祖及明星团队
主持建筑师：关天颀
建筑设计：高亢，于浩
室内设计：刘少华，韩越，于宏业
陈设设计：刘少华，韩越
结构设计：陈小飞
机电设计：刘邱龙
工程总监：彭乃应
项目经理：陈海苗，何卫士
施工单位：嵊泗县第三建筑工程有限公司
建筑面积：265平方米
项目年份：2017年

男神吴彦祖又来盖房子啦 舟山云海苑

男神吴彦祖又来盖房子啦舟山云海苑